Winterhawk Studio

Here is the look in my studio yesterday. I needed to pull out a large canvas from the back of the stacks so I spread them out in the available space and on the floor.

There is a span here of paintings from the 1980's to last month. My cell phone was set on panorama mode and stitched these individual stills into a wide view automatically in the camera phone.

Michelangelo's David

Here in St. Augustine, Florida there are many tourist attractions. Living here for six years I have come to take some of them for granted and ignore others. Taking advantage of the slow tourist season in September I visited Ripley's Believe It or Not. I will pass on the contents inside the attraction and focus on what really surprised me. Just before walking away I noticed something behind some tall hedges right out front. Hidden around a corner I found the sculpture "David" originally by Michelangelo. Actually this is an exact facsimile of the same size and from the same Italian marble quarry.

At the base I found it is titled "Magnificence in Marble: the Sollazzini and Sons' David". It's 17 feet high! Apparently it was made in 1963 for the New York World's Fair and purchased by Ripley in 2007. What an impressive object to have here in St. Augustine! I probably saw it at the World's Fair when I was a kid. I was curious about the way it is screened from the street. I assume that is to hide the nudity and genitals from those that might take offense.

The anatomical feature that struck me was the right hand, so enormously out of scale with the figure. Standing before the figure you actually look up above your head at the hand of David holding the stone. All these issues are very old and have been analyzed for centuries.

I saw the original in Florence in 1976 and recall that experience clearly. I probably saw this one in NY and can't recall. But I am pleased to have found it here and can now add it to my list of things to show visiting friends. I can't yet get over the fact that no one ever mentioned it to me before.

Plasma is stretched after 30 years

I have nearly completed the relining and stretching of my painting, Plasma. This is the first look at how it appears, properly mounted after it was begun 30 years ago.

It Is What It Is

This painting began its life long ago at my Neely Farm Studio in Norcross, Georgia around 1984. Its been rolled up, never stretched or mounted, moved about and stored for decades.  I only worked on it for a short time, waving my airbrush around freely with only two or three colors.

Well, I picked up where I left off. This time I thought to add text. I've been wanting to try this for a while. And what words and letters would I include? 

There are some things Americans say that annoy me. I won't explain it. See for  yourself.

"Whatever"
2014
48" x 54"
acrylic on canvas

Detail 16" x 20"

The same detail as above
How it looked in 1984

This is a Winterhawk Studio view in progress as I photograph the canvas tacked to the wall.